{"id":104,"date":"2022-03-05T03:23:48","date_gmt":"2022-03-05T03:23:48","guid":{"rendered":"https:\/\/undergroundmusicmuseum.org\/?p=104"},"modified":"2022-11-26T15:08:08","modified_gmt":"2022-11-26T15:08:08","slug":"none-other-the-path-of-least-resistance","status":"publish","type":"post","link":"https:\/\/undergroundmusicmuseum.org\/collections\/gajoob-collection\/none-other-the-path-of-least-resistance\/","title":{"rendered":"None Other &#8211; The Path Of Least Resistance"},"content":{"rendered":"\n<p>Mike Carlson and Chad Lawrence make up this keyboard and digital effects based outfit.&nbsp; On the cover of this tape is a quote by John Cage, circa 1937:&nbsp; &#8220;I believe that the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments that will make available for musical purposes any and all sounds that can be heard.&#8221;&nbsp; NONE OTHER fits into this concept well, although the ever-presence of catchy melodies belies an influence from popular music too.&nbsp; The lyrics focus on a variety of subjects:&nbsp; political interest peddling and&nbsp; Capitalistic power-money hunger, the fulfillment of old wives&#8217; tales, shooting missionaries and their ilk, despair juxtaposed with innocence&#8230;..&nbsp; But it&#8217;s the sounds that are the focus here, really.&nbsp; Some of the songs border on noise and confusion while others are melodic and concise in their structure.&nbsp; The tape comes with a lyric sheet and all the pertinent info for those of us who like knowing those things. &nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mike Carlson and Chad Lawrence make up this keyboard and digital effects based outfit.&nbsp; On the cover of this tape is a quote by John Cage, circa 1937:&nbsp; &#8220;I believe that the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[124,125,122],"tags":[6,35],"_links":{"self":[{"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/posts\/104"}],"collection":[{"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":2,"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/posts\/104\/revisions"}],"predecessor-version":[{"id":106,"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/posts\/104\/revisions\/106"}],"wp:attachment":[{"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/categories?post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/undergroundmusicmuseum.org\/wp-json\/wp\/v2\/tags?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}